These were the items discussed at the top of our Collective Monday meeting this week.
COLLECTIVE MONDAYS:
- The Collective is reaffirming our goal to be a company in the tradition of the Group Theatre: a growing and evolving ensemble where professional actors can work, realize truthful behavior and strengthen their craft.
Some key things to remember:
- The primary goal of Collective Mondays is to develop a strong
ensemble.
- We meet on Mondays as a group of professional actors to share ideas and observations, each member's idea bearing equal weight. It is not a class, nor are we teachers.
- Our comments are always rooted in observation, rather than direction.
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Regarding guests: Should a Collective member wish to bring a guest to observe Monday, e-mail the guest's name to
thecollective9@gmail.com, ideally by the Friday before meeting.
Regarding inviting someone to become a part of The Collective: Should a Collective member wish to bring someone new into the group to work with us on an ongoing/permanent basis, we agree that the qualification should be that the new person is someone the Collective member would trust/like to work with on a Broadway stage; namely, that this person helps us reach our collective goal to create a strong ensemble.
- Some background on the Group Theatre is available at
http://www.pbs.org/wnet/americanmasters/episodes/group-theatre/about-the-group-theatre/622/
- Danny O'Shea is spearheading an initiative to integrate continuous work on chosen classic and contemporary plays into Mondays. The first two plays in this series will be announced this Monday, March 8th.
SOMEONE WHO'LL WATCH OVER ME:
- We plan to use a residential basement space to run open rehearsals/invited previews of the show, Sundays March 28, April 11, April 18, April 25, and potentially April 4 (Easter).
- The production model as of now is to investigate a "traveling performance piece" but we also continue to investigate/secure donated space, planning to move the production to a theater space beginning May 2, with a plan to continue to run. Sunday evenings, free of admission charge, generating revenue via bar/donations.
- A primary goal of these performances is to generate buzz and notoriety for The Collective, with the understanding this will be one part in the overall brand-building campaign.
- As the production gets underway, volunteer/job opportunities will be announced.
VIRGINS AND SLUTS:
- Our first writing challenge is designed to generate original work from our members and present an evening of new works in May 2010. All members are invited to participate: those who have NEVER written for us ("virgins") and our regulars ("sluts").
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V&S will follow a 90-day cycle; we are two weeks in currently. The first theme is also "virgins and sluts."
- The first 30 days, you WRITE. The next 30 days, you WORKSHOP, READ, REWRITE. The final 30 days, you CAST, DIRECT and PRESENT your work.
- Although we are already two+ weeks in, members are still encouraged to participate. Contact
thecollective9@gmail.com if you wish to accept the challenge.
360:
- The Collective is currently developing a film version of our smash 2009 stage production "360" using both The Collective's own stage adaptation "360" and Schnitzler's original "La Ronde" as source material. Meetings are underway to discuss/develop the script. Members of last year's production as well as the Board and Founding Members are working now to generate ideas. The full scope of the project will be opened to the group at large shortly. If you wish to be involved, please e-mail Robert at
robertzgrant@gmail.com